Historiography

Download e-book for iPad: A Crooked Line: From Cultural History to the History of by Geoff Eley

By Geoff Eley

ISBN-10: 0472069047

ISBN-13: 9780472069040

ISBN-10: 0472099043

ISBN-13: 9780472099047

"Eley brilliantly probes variations within the historians' craft over the last 4 a long time. i discovered A Crooked Line engrossing, insightful, and inspiring."--Lizabeth Cohen, writer of A shoppers' Republic"A Crooked Line brilliantly captures the main major shifts within the panorama of old scholarship that experience happened within the final 4 a long time. half own historical past, half insightful research of key methodological and theoretical historiographical trends because the past due Sixties, consistently considerate and provocative, Eley's e-book exhibits us why heritage issues to him and why it may additionally subject to us."--Robert Moeller, collage of California, Irvine"Part family tree, half analysis, half memoir, Eley's account of the histories of social and cultural heritage is a travel de force."--Antoinette Burton, Professor of historical past and Catherine C. and Bruce A. Bastian Professor of world and Transnational stories, college of Illinois"Eley's reflections at the altering panorama of educational historical past within the final 40 years will curiosity and gain all scholars of the self-discipline. either a local informant and an analyst during this account, Eley combines the 2 roles fantastically to provide considered one of most tasty and compelling narratives of the hot heritage of History."--Dipesh Chakrabarty, writer of Provincializing EuropeUsing his personal highbrow biography as a story equipment, Geoff Eley tracks the evolution of old figuring out in our time from social historical past throughout the so-called "cultural turn," and again back to a vast background of society.A proficient author, Eley conscientiously winnows specific stories from the common, and makes use of the interaction of the 2 to attract the reader towards an natural figuring out of ways old pondering (particularly the paintings of eu historians) has advanced lower than the impression of recent principles. His paintings situates historical past inside of heritage, and gives scholars, students, and basic readers alike a richly exact, readable consultant to the iconic worth of historic ideas.Geoff Eley is Professor of historical past on the collage of Michigan.

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43 But this British Marxist historiography was also embedded in some very British concerns. Inspired by A. L. 45 In that sense, the legacy of the Historians’ Group was intensely focused on national themes. 46 Thompson’s writing in the aftermath of leaving the Communist Party had also converged with the cognate works of Raymond Williams (discussed earlier in this chapter), whose Culture and Society and The Long Revolution proposed their own general interpretation of modern British history. Both Thompson and Williams were seeking to recuperate the national past in self-consciously oppositional and democratic fashion, wresting control of the national story from conservative opinion makers of all kinds and rewriting it around the struggles of ordinary people in a still un‹nished democratic project.

Past and Present assembled an inventory of many of the most exciting areas of research and debate de‹ning the attractions of the discipline for aspiring historians of my generation by the end of the 1960s. Optimism 33 Third, encouraged by the axiomatic Marxist recognition of the indivisibility of knowledge, Past and Present pioneered interdisciplinary collaborations with sociologists and anthropologists. While at one level simply a new form of the intellectual Popular Frontism of the journal’s founding impulse, this dialogue with non-Marxist social scientists notably accelerated after 1956–57, when, with the exception of Hobsbawm, most of the Marxist historians left the Communist Party.

It practiced comparison. It also stressed mentalité, or the collective understanding and religious psychology of the time—for example, against the contemporary “commonsense” question of whether the king’s touch had actually healed or not. These twin themes—structural history (as opposed to political history or the “history of events”) and the history of mentalities (as opposed to the history of formal ideas)—gave coherence to the Febvre-Bloch collaboration. 64 His holistic account of feudalism, which aspired to a picture of the whole environment by combining analysis of the “mental structures” of the age with its socioeconomic relations, departed radically from prevailing work on the topic.

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A Crooked Line: From Cultural History to the History of Society by Geoff Eley


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